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Director Tobias Kratzer engineers a haunting pasticcio of Schumann, Bartók and Zemlinsky, tracing the domestic sphere’s shift from romantic surrender to the blood-soaked secrets of a century-spanning house.

Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic. 

Rameau’s Castor et Pollux returns to the stage in a new production that brings together Baroque repertoire and contemporary theatrical aesthetics, conducted by Leonardo García Alarcón and performed by Cappella Mediterranea with an international cast.

The Baroque confectionery of Herbert Fritsch's production of Handel's oratorio belies a serious core which is all too close to today's headlines.

Ermonela Jaho returns to one of her signature roles as Cio-Cio-San, delivering a searing and deeply nuanced portrayal.