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The Met revives Robert Carsen's updated production of Der Rosenkavalier with a strong cast led by Camilla Nylund.  Sir Simon Rattle led the Met Orchestra in an inspired and detailed reading of the score.

Malin Byström convinces as the Feldmarschallin with Adrian Angelico as a strong Octavian, under the baton of Alan Gilbert.

Strauss' mix of bedroom farce, comedy of manners and bittersweet musing about aging is acted and sung superbly in this revival of Richard Jones' production.

The Orchestra of the Age of Enlightenment resurrected with 1926 silent film of Strauss' Viennese comedy – with the lost ending pieced together – and gave a commendable performance of the reduced score.

Kirill Petrenko’s second night at Carnegie Hall packed a punch as the orchestra of the Bayerische Staatsoper delved deep into Strauss’ score, supporting an impressive cast of singers.

Gloriously sung and stylishly played, this Rosenkavalier is a feast for the ears and eyes and should be heard without delay. 

There are several things wrong with the new Robert Carsen directed Der Rosenkavalier that just opened at the Met, but the singing is not among them.

Renée Fleming has decided the time is right to bow out gracefully from the operatic stage, choosing her signature role to bid the fondest of farewells to London.

It would be no exaggeration to say Franz Hawlata stole the show, an act of grand larceny made all the more remarkable by the strong cast which shared the stage.

Opera North revives Sir David McVicar's 2002 production of Der Rosenkavalier under new Musical Director Alexander Markovic.  

Mehta's refusal to treat these as episodic statements gave the playing its polish. The music unravelled in a spun-out yarn.

Under Philippe Jordan's baton, the Orchestre de l'Opéra National de Paris performs Der Rosenkavalier  - an unrivalled pleasure. 

With clear direction and well-executed hits (such as the lush trio from the end of the third act), the show will appeal to those with nostalgia for the production and wish to escape the biting cold with the sound of strings warmed by horns.

Otto Schenk's Vienna production of Der Rosenkavalier has been mounted 366 times since its 1968 inauguration and there is definitely no demand for a new one.

Dutch National Opera have given themselves and their patrons a smashing 50th birthday present – a production of Der Rosenkavalier that is a winner on all fronts.

Michaela Kaune, Albert Pesendorfer, Eun Yee You and Elīna Garanča transported the audience to a lost time and place, even while embodying their characters’ ultimate timelessness. 

Harry Kupfer updates the action of Der Rosenkavalier to the early 20th century in an evocative production for the Salzburg Festival.

A fine cast and a traditional staging of a beloved classic results in a memorable night at the opera.

Glyndebourne’s annual away day from Lewes to the heaving metropolis is always a highlight of the Proms season, but this year’s visit was more hotly anticipated than usual. 

A superb concert performance of Der Rosenkavalier with the CBSO and Andris Nelsons receives a rapturous reception. 

Whooping horns, a single yellow rose and a velvety cushion of strings set the scene for a sumptuous tranche of highlights from Der Rosenkavalier in the London Symphony Orchestra’s latest concert commemorating Richard Strauss in his 150th anniversary year.

Nathaniel Merrill’s production of Der Rosenkavalier opened at the Metropolitan Opera on 23 January 1969. Richard Nixon had been sworn in as President as the United States only a few days earlier. It is still in the repertory today, here revived with Edward Gardner conducting.

Otto Schenk's production of Der Rosenkavalier is now four decades old but it still looks quite fresh, its opulence unfaded.

English National opera's first première of 2012 is a revival of David McVicar's 2008 production of Richard Strauss's Der Rosenkavalier, in splendid rococo period setting. They pulled out all the stops in casting: the four lead roles were all sung and acted wonderfully by English singers at the very top of their game.

Read our review of Nathaniel Merrill's production of Der Rosenkavalier by Strauss, in its 2010 HD broadcast from the Metropolitan Opera in New York.

Grand succès pour le concert donné par les jeunes chanteurs de l'Académie de l'Opéra de Paris : une pépinière de talents en devenir !

À Berlin, la nouvelle production du Rosenkavalier par André Heller fait un sans-faute, portée par un casting cinq étoiles.

El acto de contemplar a Orozco-Estrada anticipar cada compás del Don Juan y de El caballero de la rosa devolvió la imagen de una gesta fraguada no sólo desde su conocimiento experto de la partitura, sino también gracias a un estado de forma pletórico.

Richard Strauss' Komödie wird in Leipzig im besten Sinn klassisch und doch herrlich lustvoll und ohne umdeutende Modernisierung wieder aufgenommen.

Das Haus am Ring feiert die Jubiläumsvorstellung mit wienerischem Überschwang.

Dass alte Produktionen nicht unbedingt verstaubt und langweilig sein müssen, zeigt die Bayerische Staatsoper mit einer denkwürdigen Rosenkavalier-Vorstellung.

Harry Kupfers Rosenkavalier bei den Salzburger Festspielen ist und bleibt ein mitreißendes Erlebnis: Stimmliche Höchstleistung treffen darstellerische Exzelenz und viel Liebe zum Detail.