Live, Video: Find classical music concert, opera, ballet and dance reviews | A Midsummer Night's Dream, Op.61 (Incidental Music)

The Seattle Symphony offers an enchanting evening immersed in the joy and brilliance of both the young and the mature genius of Felix Mendelssohn.

Mendelssohn's A Midsummer Night's Dream and Beethoven's Third Piano Concerto make an odd couple in Singapore.

Gabriela Ortiz' terrific cello concerto Dzonot receives its New York premiere by Alisa Weilerstein and the LA Philharmonic under Gustavo Dudamel at Carnegie Hall. 

Verklärte Nacht sounded gorgeous in the outstanding surroundings of the Palacio di Carlo V, with the ensemble capturing the grace of the original sextet.

Isserlis makes the most convincing case you could imagine for Schumann, while Järvi and his orchestra have a great time in Mendelssohn

The longtime chief conductor proves his mettle once again, delivering an exciting and memorable Beethoven Second Symphony. 

A rare outing for Lili Boulanger's D'un matin de printemps lay at the dewy centre of this spring–summer seasonal programme.  

In a study of shifting form, tonight's dedication to the bard paired Mendelssohn's incidental music to the play with another work inspired by The Metamorphoses: Matthias Pintscher's mesmerising Reflections on Narcissus.

“If music be the food of love, play on, give me excess of it.” There was certainly plenty of Shakespeare-inspired music on the bill for the London Philharmonic Orchestra's celebration of The Bard. 

Shakespeare's Nick Bottom, who claimed “a reasonable good ear in music” would surely have approved of these performances at the Barbican Hall. 

Weber, Henze and Mendelssohn cast a fairy spell over Symphony Hall. 

Garsington’s first collaboration with the Royal Shakespeare Company married an abridgement of Shakespeare’s play with Mendelssohn’s incidental music, a union which promised much but which stumbled awkwardly.

As Autumn sets in, the City of London Sinfonia give us a final taste of Midsummer in a charming and diverse concert. 

Mozart and Mendelssohn are surely two of the most popular composers for both the seasoned elitist and the irregular classical listener; tonight’s offering of time-tested favourites wrapped in the summer breeze of familiarity, coupled with the rare and exciting prospect of hearing Mendelssohn’s complete incidental music for Shakespeare’s A Midsummer Night’s Dream, was likely to be a draw – and it w

Over the past several years the Cleveland Orchestra has instituted a number of new concert opportunities to attract a new, younger audience, in response to the “greying” of its traditional audience base and the diminished interest in a season-long commitment to regular concerts.

What a stark contrast between the visual and the aural at last Thursday’s concert at the Hollywood Bowl. On stage was the 79-year-old conductor Rafael Frühbeck de Burgos, appearing frail as he shuffled towards the podium; the gauntness of his features accentuated by his suit which hung loosely from his frame.

Shakespeare’s A Midsummer Night’s Dream and the incidental music by Mendelssohn it inspires both employ a wide range of expressive techniques in their respective medium. Bringing the drama and the music together in one performance, the Queensland Symphony Orchestra and 4MBS Arts Productions delivered an evening of finely tuned light entertainment.

Le flûtiste a délivré une formidable interprétation du Concerto pour flûte n° 1 de Mozart, avant un Songe d'une nuit d'été peu mémorable sous la direction de Riccardo Minasi.

Le violoniste allemand et l'orchestre de la capitale se sont montrés particulièrement fusionnels dans le Concerto d'Elgar, avec un excellent Dima Slobodeniouk officiant à la baguette.

Warum das Freiburger Barockorchester auch Schubert und Mendelssohn spielt? Weil es im Reichtum der Klangfarben und der inspirierten Klangrede kaum zu übertreffen ist.

Au Klarafestival, les univers de Mendelssohn et de Berlioz s'entremêlent avec bonheur grâce à Reinoud Van Mechelen et au Brussels Philharmonic sous la baguette de Thierry Fischer.

Après le cycle de mélodies berlioziennes, Gardiner et son Orchestre Révolutionnaire et Romantique ont proposé un Songe d’une nuit d’été particulièrement incarné, sous la brise fraîche de La Côte-Saint-André.

Des flots de musique ont envahi le Palais Montcalm avec la venue devant l'Orchestre Symphonique de Québec de deux musiciens-nés, le chef Julien Masmondet et le pianiste Alain Lefèvre.

Vilde Frang zeigte in der Berliner Phlharmonie ihre ganze leidenschaftliche Ausdruckskraft bei der Interpretation dieses Meisterwerks.

So nahe an der Pefektion war dieser erste Auftritt dieses Staraufgebots.