En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Augustin Hadelich

After urban Debussy and Adams, the duo settles for autumnal Brahms and a day in the countryside.

Augustin Hadelich is an authoritative interpreter in Bartók's Second Violin Concerto, while Alan Gilbert and the NDR Elbphilharmonie Orchester never quite succeed in scaling the heights of Bruckner 7.

The young Finnish conductor, stepping in on short notice, led an incandescent performance of Beethoven’s Symphony no. 7. Augustin Hadelich was an excellent soloist in Prokofiev’s Violin Concerto no. 2.

Zusammen mit Julia Fischer und Augustin Hadelich gestaltete die Academy ein himmlisches Musikvergnügen.

This final concert of the BBCSO’s Total Immersion day dedicated to György Ligeti, proved to be something a revelation, both in terms of the variety of the music and the quality of the performances.

Stéphane Denève and Augustin Hadelich each prove themselves to be at the very forefront of performers active today. 

Unter der Leitung von Clemens Schuldt präsentiert das Kammerorchester ein abwechslungsreiches Programm von Mozart bis Adès.

Maestro Edo de Waart and violinist Augustin Hadelich team up to provide a spectacular performance of Shostakovich.

When news of the discovery of Stravinsky's Funeral Song reached the classical music world, a near-revolution of excitement took place.

Hadelich dazzles, but Oundjian's Brahms is bland. 

Evocative new works by Adès and Coll were performed thrillingly and provocatively by the Britten Sinfonia as they brought fizz and clarity to Beethoven's eighth and Prokofiev's "Classical" Symphony.

Juanjo Mena conducts the BBC Philharmonic in music by Smetana, Bartók and Dvořák in Manchester.

The young German-American violinist Augustin Hadelich plays the Tchaikovsky concerto and Vasily Petrenko with the LPO give a heroic rendering of the same composer's “Manfred” Symphony.

An uninspired evening of classics, that nonetheless showed off the many sides of Shostakovich.

A potpourri of styles and chronology portrayed effectively by Edo de Waart, Augustin Hadelich, and the Chicago Symphony Orchestra

Karina Cannelakis and Hong Kong Phil excite and please with disparate programme of Mozart and Strauss. 

The challenges presented on this program, particularly Bruckner's Seventh Symphony, allowed the TSO to impress with their technical precision, ensemble cohesiveness and stamina.

A Mozart symphony in the second half of this Houston Symphony concert could hardly compete with Augustin Hadelich playing Bartók. 

Not painting by the numbers: with a trio, a pair of quartets, and an octet, the Seattle Chamber Music Society offers more than the sum of its parts.

  Sibelius’s Violin Concerto and Dvořák’s “New World” Symphony play to an enthusiastic Cleveland audience on a beautiful evening at the Blossom Festival.

David Lang’s curated series collected stories drew to a close with three works by John Cage, including his autobiographical lecture Indeterminacy of 1958, performed simultaneously, and the world première of Lang’s own mystery sonatas, the only work of his own to be programmed for the series.

Verdi and Wagner may be turning 200 in 2013, but certainly that doesn’t make their music any more or less worth celebrating than it was last year, or will be in five years’ time.