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“Her affinity for Russian melodies and their innate melancholy was obvious”
Critique faite à Carnegie Hall: Stern Auditorium, New York, le 9 décembre 2018
Rachmaninov, Les Lilas, Op.21 no.5
Rachmaninov, At my window, Op.26 no.10
Rachmaninov, Zdes' khorosho (Ici il fait bon), Op.21 no. 7
Rimski-Korsakov, In Spring: The Lark sings louder (Vesnoj: Zvonche zhavoronka pen′e), words by Tolstoy, Op.43 no.1
Strauss R., Morgen! Op.27 no.4
Debussy, Ariettes oubliées: Il pleure dans mon coeur
Charpentier, Louise: Depuis le jour
Tchaïkovski, It was in the early spring, Op.38 no. 2
Tchaïkovski, Skazhi, o chem v teni vetvey (Tell me, what in the shade of the branches), Op.57. no. 1
Bridge, Go not, happy day
Leoncavallo, Mattinata
Rimski-Korsakov, The Clouds begin to scatter, (Redejet oblakov) words by Pushkin, Op.42 no.3
Tchaïkovski, Nochi bezumnie (Frenzied nights) Op.60 no. 6
Strauss R., Die Nacht, Op.10 no.3
Strauss R., Wiegenlied, Op.41 no.1
Strauss R., Ständchen, Op.17 no.2
Fauré, Après un rêve, Op.7 no.1
Dvořák, Gypsy Songs: Songs My Mother Taught Me (Když mne stará matka zpívat), Op.55 no.4
Rachmaninov, The Dream (Son), Op.38 no.5
Moore, The Ballad of Baby Doe: Gold is a fine thing
Offenbach, Les Contes d'Hoffmann: Belle nuit, o nuit d'amour (Barcarolle)
Tchaïkovski, Den' li tsarit (Does the day reign?), Op.47 no. 6
Arditi, Il bacio
Puccini, Gianni Schicchi: O mio babbino caro
Anna Netrebko, Soprano
Malcolm Martineau, Piano
David Chan, Violon
Jennifer Johnson Cano, Mezzo-soprano
