Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Gershwin

Gleich zwei Debütanten stehen beim filmmusikalischen Programm auf der Bühne: Dirigent John Wilson und Pianist Louis Schwizgebel.

Eric Owens singt Porgy mit Leib und Seele und ist mit seiner charismatischen Ausstrahlung der unbestrittene Held dieser Oper.

Lahav Shani dirigierte das Philharmonische Orchester Rotterdamm bei Weills zweiter Symphonie, spielte das Solo bei Gershwins Rhapsody in Blue und tanzte bei Bernsteins West Side Story.

Kraft und Virtuosität, durchgestaltet und hinreißend gespielt: Juan Pérez Floristán lebt diese Musik!

Schnelle Tempi, perlende Klänge sowie pathetische Gefühlsausbrüche hatten Andris Nelsons, Jean-Yves Thibaudet und das Concertgebouw Orchestra in Essen im Gepäck. 

Mariss Jansons und das BRSO widmen zusammen mit Pianist Denis Matsuev einen Abend der Rhapsodie. España ist dabei der Ausgangspunkt für den Abend, bei dem Matsuev nicht vollkommen überzeugen kann.

Karneval und Klassik, Klassik und Unterhaltungsmusik – dass diese Elemente nicht in Widerspruch stehen, sondern eine so unterhaltsame wie musikalisch hochkarätige Einheit eingehen können, zeigte Blechschaden, das Blechbläserensemble der Münchner Philharmoniker, anlässlich des Faschingskonzerts im Mozartsaal des Mannheimer Rosengartens.

Eine Hommage an den einflussreichsten Geiger des 20. Jahrhunderts gab Charlie Siem in München mit einem vielseitigen und abwechslungsreichen Miniaturen-Programm.

Le festival « Les Coups de Cœur à Chantilly » du pianiste Iddo Bar-Shaï célèbre les 80 ans de la célèbre pianiste, avec Evgeny Kissin et Maxim Vengerov en guest stars.

A round-robin of Philadelphia Orchestra soloists in the original jazz-band orchestration of Gershwin's Rhapsody in Blue provides an ideal partnership for pianist Aaron Diehl's elaborations on this iconic work. 

El trompetista venezolano Pacho Flores maravilló en su triple faceta de compositor, director e intérprete junto al conjunto de metales de la Filarmónica de Bogotá. 

Celebration and infectious joy in Bennett and Gershwin, with silky textures and delicate precision in Ravel from John Wilson and the LSO.

New York City Center’s annual Fall for Dance festival heads online in a pair of programs, one much stronger than the other. 

From Mozart and faux Pugnani to a Miklós Rózsa rarity, this was a brilliant showcase for the British-Polish violinist's artistry. 

Au Festival de Saint-Denis, Lucienne Renaudin-Vary, Shaun Escoffery, Troy Miller et l'ONDIF proposent un enthousiasmant programme d'arrangements spectaculaires d'airs de Gershwin, Weill et Bernstein.

The program paired works of two living female composers with a suite of selections from Porgy and Bess, featuring star soprano Angel Blue.

A slick and stylish celebration at the Coliseum of this great company's achievements over 70 years.

Cristian Măcelaru conducts The Hallé in music by Copland, Bernstein and Gershwin, plus his own arrangement of Jake Heggie's Moby Dick.

De Bizet à Ravel en passant par Gershwin, l'orchestre strasbourgeois a encore une fois mis en évidence ses qualités sous la direction de Marko Letonja, malgré un Francesco Tristano un peu léger.

The Royal Liverpool Philharmonic Orchestra give the UK premiere of one of André Previn's final works, while Joshua Weilerstein’s Rite of Spring brings a devastating blow in a programme of unique musical voices.

The Met’s new production is directed by James Robinson, who has the characters interacting and listening to one another as if in real life – the inhabitants of Catfish Row have known each other for all of their lives and love, pray and grieve like family.

Dutch National Ballet continues its series honouring the great choreographer. 

An evening in which the piano – in some cases two, in others three – took centre-stage with members of the Osokins family.

Philip Cobb’s bluesy inflections turned the dear old Barbican Hall into the coolest nightspot in the capital; they might as well have lowered the lights and served cocktails.

Daredevil piano playing and luscious Stravinsky at the 47th Istanbul Music Festival.

À la Halle au Blé d'Altkirch, la pianiste Célia Oneto Bensaid commence une prometteuse tournée alsacienne, avec de belles transcriptions originales servies par un jeu d'une grande netteté.

Músicas de Bernstein, Gershwin, Márquez y Revueltas para un mosaico entre Nueva York y México con música y músicos de cine, atmósferas míticas y un clima de fiesta que inundó el Auditorio Nacional.

Pure jouissance from that musical multitasker extraordinaire Barbara Hannigan in an evening of contrasting delights with the London Symphony Orchestra.

Works by Still and Ellington make their welcome appearance at Disney Hall, but the presentation left a bit to be desired. 

In a highly versatile recital, soprano Renée Fleming was at her best in unaffected songs and operetta.

Grieg's Piano Concerto played by Tom Poster and the Hallé under Stpehen Bell was the highlight of a popular programme of Nordic favourites by Grieg and Sibelius

Almost twenty years after her first Vivaldi album, Cecilia Bartoli revisits the composer in her latest recording and touring project. 

La riqueza y variedad de ideas musicales que pueblan la Sinfonia espansiva de Nielsen encajó como anillo al dedo en la dirección intensa y dramática de Litton.

Each of the works are particularly radiant in themselves, but made even more so as they were presented here.

Porgy and Bess isn’t a perfect opera, but English National Opera's new production is a strong one. 

Bernstein's Slava! and Age of Anxiety aren't the best examples of his concert music, but Marin Alsop and the BSO made the best possible case for them. 

Marking a trio of anniversaries, Debussy, Bernstein and their 25th milestone, the Ulster Youth Orchestra are welcomed home from their celebratory European tour with the warmest Irish greetings.

Seattle Opera's memorable Porgy and Bess excels with an exceptional cast who performed with utmost sympathy for their roles.

The Minnesota Orchestra’s visit offered a chance to hear Gershwin’s Piano Concerto and Ives’ Symphony no. 2, though the former suffered somewhat from an absence of spark.

Revelling in the luscious orchestrations and sumptuous melodies, it was a rare treat to bask in such obvious delight from both conductor and orchestra.

Why don’t brass ensembles have a regular presence in the classical concert scene, in comparison to string ensembles or at least woodwind ensembles? 

It was a concert of two halves for RSNO's Bernstein tribute.

In the year of the centenary of Claude Debussy's death, pianist Denis Kozhukhin gave a heady and colourful performance of music by Debussy and George Gerswhin, a composer deeply influenced by his French counterpart.

Sir Andrew Davis conducts the BBC Philharmonic in Elgar, Rachmaninov and Sibelius with pianist Kathryn Stott.

Variations of tension, energy and contrast with Long Yu and the Hong Kong Phil.

Hannigan plays with expectations, opening with a single spotlight after a complete stage blackout to dramatic effect, and I am pretty sure she was rocking slippers on stage. 

There was lots to like in the Philadelphia Orchestra's All-American Celebration for Thanksgiving.

Two promising talents tacke Beethoven: China's Ke Ma impresses in PC4, Hungary's Szüts impresses as a composer with his cadenza for PC1. Tamás Gál and the Miskolc Symphony provide strong support.