Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Pretty Yende

This was meant to be Pretty Yende's night, but it was Armenian tenor Liparit Avetisyan who stole hearts as country bumpkin Nemorino. 

As it turned out, the second performance of the Met’s revival of I puritani was the one to see – it offered some of this season’s greatest singing – and a surprise.

Transfigurant littéralement le personnage de Lucia, Pretty Yende déploie une palette vocale stupéfiante et fait preuve d'une intelligence artistique tant dans son jeu scénique que dans son interprétation vocale, absolument sublime.

Andreas Homoki’s new production of Vincenzo Bellini’s I puritani wows with a quartet of stellar vocalists, but its awkward staging and set design are a distinct disappointment.

Puisqu’ils constituent, finalement, les soubassements autour desquels devrait s’édifier le reste du spectacle, autant saluer d’emblée les prestations vocales solides de cette année. 

Une Flûte Enchantée dont on retiendra un plateau homogène et une mise en scène peu analytique qui aura eu le soin de reposer nos âmes éprouvées par les émotions d'une année 2015 certainement assez chargée... 

Deutsche Oper Berlin’s 1980 production of Donizetti’s romantic tragedy gets a new life with a pair of young singers who valiantly and elegantly sang the doomed lovers.

In a somewhat long-overdue debut at the Concertgebouw, bel canto royalty Juan Diego Flórez and rising star Pretty Yende wowed the Amsterdam public with a generous programme of bel canto music.

Pretty Yende makes a successful New York recital debut at Carnegie Hall with a diverse selection of songs and arias.

Excellent singing and a stunning debut win out over relentlessly clever visual effects.

The singing is strong and the stagework slick in Laurent Pelly's rib-tickling, often uproarious production of Le Comte Ory.

A lack of engagement keeps Pretty Yende and James Vaughan at arm’s length in spite of accomplished performances

Of the “ABCs” of opera (Aida, Bohème, and Carmen), Bizet’s masterpiece is the one that has made the transition to pop culture ubiquity. Surely even the most oblivious of listeners are able to whistle along to the “Habanera” and “Toreador Song”. Furthermore, the melodramatic story of exoticism, lust and rejection is one of the most popular of operatic tales.

When Jean-Christophe Spinosi stepped onto the podium to conduct Le Comte Ory that night, he didn’t wait for his applause to cease, but instantly cued a hearty forte from the Ensemble Matheus, and consequently a few incredulous looks from the audience.