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A Vienna Philharmonic evening conjures a vanished world: Strauss’ muscular drama and intimate humour, Haydn’s inward gravity and a graceful waltz to close.

Gustavo Gimeno leads the Toronto Symphony in a programme of absorbing musical abstraction and storytelling, let down by a banal new trombone concerto.

Hans Graf and the Singapore Symphony Orchestra's evening of Richard Strauss showcases the German Romantic's enormous emotional range.

The Hallé and Sir Mark Elder bring details and affection to Strauss' Don Quixote and Elgar's second symphony.

Husband and wife join together with the Ulster Orchestra in Ulster Hall, at the beginning of a year-long féile pairing the music of two twentieth-century giants of symphonic repertoire. 

The US première of Jörg Widmann's Partita featured alongside Mozart and Strauss in Andris Nelsons' carefully chosen program.

Rafael Payare, in his first appearance with the RPO, has musical encounters with Don Juan and Don Quixote, and a Mozart symphony provides a suitable contrast.

Barenboim's strangely blank Strauss thankfully led to a thrilling Tchaikovsky 5 in tribute to Jacqueline du Pré.

François-Xavier Roth conducts sparkling, refreshing accounts of Debussy, Schumann and Strauss in the Gürzenich-Orchester Köln season-opening gala.

Outstanding solos, orchestral discipline and novelties in musical arrangement made for another quality symphonic experience from the Melbourne Symphony Orchestra.

Last night in Sweden: Daniel Barenboim and the West-Eastern Divan Orchestra make a performance of Strauss' Don Quixote to remember at the Stockholm Concert Hall.

Sir Andrew Davis also led superb performances of Delius’ Brigg Fair and Strauss’ Don Quixote, with Mark Kosower and Wesley Collins as soloists.

Tonight's concert featured an international array of artists, but was held together with a heavy dose of Spanish flavour.

The world première of Giya Kancheli’s Nu.Mu.Zu is the blow-your-socks-off highlight of an evening that includes colourful playing of Falla and Strauss.

Veteran conductor Walter Weller failed to bring two German masterpieces to life, despite some gorgeous playing from the City of Birmingham Symphony Orchestra.

Despite Richard Strauss' few connections with Leipzig, the Gewandhaus Orchestra under Riccardo Chailly offered a vivdly characterized tribute to the composer on his 150th anniversary, from an affectionate Don Quixote to a witty - and furiously paced - Till Eulenspiegel. 

Maurizio Pollini, Caudius Popp, and Felix Schwarz shine in an evening of Strauss and Brahms with Daniel Barenboim and the Staatskapelle Berlin. 

The program was dubbed “Romance at the Phil”, but the music presented was hardly the sort to set lovers’ hearts aflame. It could even said to be a touch staid. There was Mendelssohn and Mozart in the first half. Richard Strauss is closer to the mark – this is the composer of Salome, after all – but it was his jovial Don Quixote that closed out the night.

Canada has been taking an active role to build concert programs featuring its own musical talents. One proponent organization of this is the Toronto Symphony Orchestra. Led by a team of dedicated administrative individuals, volunteers and musicians, the TSO provides an indispensable platform to showcase our Canadian talents to the community at large.

At what age is it time for a conductor to gracefully hand on his baton and stop polishing his concert shoes? André Previn last night appeared on stage at the Barbican in a pair of very shiny shoes indeed, but they didn’t help him onto the rostrum any quicker.

Le violoncelliste, le chef et l'orchestre s'associent parfaitement pour narrer le passionnant poème symphonique Don Quichotte de Richard Strauss, avant une colossale Symphonie n° 4 de Brahms.

Dans une atmosphère encore estivale, l'Orchestre Philharmonique de Monte-Carlo et Kazuki Yamada ont livré un concert réjouissant, avec Pablo Ferrández en invité d'honneur dans Don Quichotte de Strauss.

Das Zürcher Opernorchester kombiniert in seinem Konzert die Vier letzten Lieder mit Don Quixote. Sowohl die Sopranistin Hanna-Elisabeth Müller als auch GMD Gianandrea Noseda offenbaren sich als echte Strauss-Spezialisten.

Kazushi Ono et le Brussels Philharmonic ont donné une version bien orageuse de la Symphonie « Italienne » de Felix Mendelssohn, tandis que Gautier Capuçon a livré une incarnation manquant de nuances dans Don Quixote.

In Richard Strauss' Don Quixote brillieren die Philharmoniker als Ensemble vieler großartiger Solisten.

Eine Sternstunde, ausschließlich mit Richard Strauss, liefern Philippe Jordan und Gautier Capuçon mit den Tondichtungen Don Quixote und Ein Heldenleben.

Bei Bringuiers Abschied von der Tonhalle herrscht mit Strauss' Don Quixote musikalisches Theater auf dem Podium, bevor Yuja Wang Prokofjews Drittes spielt.

Barenboim machte deutlich, dass nicht er selbst im Zentrum stand, sondern das Orchester, das Konzept des „Divan“, das gemeinsame Erleben der Jugendlichen, die einen sehr eindrücklichen, bewegenden Konzertabend gestaltet hatten.

On a entendu vendredi dernier le Philhar’ dans sa forme des grands jours ! Programme compact mais astreignant, magnifié par un pupitre de bois particulièrement soigneux.

L’affluence était celle des grands soirs en ce 3 septembre pour le début de la saison symphonique à la Philharmonie de Paris. Au programme, deux classiques du répertoire, le « Don Quichotte » de Richard Strauss et la dixième symphonie de Chostakovitch par l’orchestre symphonique de Boston et son jeune et brillant directeur, Andris Nelsons.

Mit vollem Körpereinsatz dirigierte Andris Nelsons sein Boston Symphony Orchestra in Salzburg zu Standing Ovations des gesamten Publikums.

Au centre du week-end "Love Stories" à la Philharmonie, l'Orchestre de Paris donnait un concert autour de "L’Amour interdit", avec Fabien Gabel à la direction. Au programme Wagner, Strauss, Debussy : de très beaux moments, mais un Don Quichotte un peu en-dessous.