Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Hilary Hahn

La expresividad de Hilary Hahn y la Orchestre Philharmonique de Radio France llenan de romanticismo el Auditorio Nacional

Escuchando a Hilary Hahn no nos queda más que reconocer que nos encontramos ante una artista inconmensurable que se encuentra en su plena madurez interpretativa. 

 Au Festival de Gstaad, Hilary Hahn est éblouissante dans les concertos de Bach. Mais le reste du programme déçoit.

À la Maison de la radio, Hilary Hahn délivre un concerto de Sibelius soigné, avant de laisser la vedette à un éblouissant Orchestre Philharmonique de Radio France dans la Symphonie fantastique.

De Strauss à Rihm, la clôture du Festival Présences à Radio France est riche en émotions. Hilary Hahn joint son violon au hautbois d'Hélène Devilleneuve pour un Bach énergique !

Das Houston Symphony Orchestra unter Andrés Orozco-Estrada brillierte mit swingendem Bernstein und dramatischem Dvořák.

The Tonhalle Orchestra Zürich recently nestled a performance by the gifted American violinist Hilary Hahn into its programme of works by Janáček, Prokofiev and Dvořák.

Three works performed by the Philadelphia Orchestra and Yannick Nézet-Séguin included few novel musical ideas relative to their lengths.

Gustavo Gimeno, making his Symphony Hall debut, impressed in a program opening with Ligeti's Concert Românesc.

Hilary Hahn und das Orchestre de Lyon unter der Leitung von Leonard Slatkin begeistern in München mit einem Programm aus Tschaikowski und Ravel.

L’Auditorium célèbre les 70 ans du minimaliste en sa présence, avec l’ONL sous la direction de Leonard Slatkin et l’éblouissante violoniste Hilary Hahn dans le concerto de Tchaïkovski

Captiavting European musical narratives in Washington DC.

Debussy provided a scintillating introduction to Hilary Hahn’s glorious rendering of Bruch’s Violin Concerto no. 1 in G minor and Prokofiev’s fiery Fifth Symphony. 

The Colombian conductor leads the London Philharmonic in an evening of Weber, Bruch and Beethoven where classical discipline comes out on top.

Tschaikowsky sagte, seine Sechste Symphonie sei die beste Komposition, die ihm in seinem Leben gelungen sei. Das Orchestre Philharmonique de Radio France mit Chefdirigenten Mikko Franck war mit eben dieser Symphonie zu Gast in München.

Die Wiener Philharmoniker als kongeniale Begleiter von Hilary Hahn beschließen ihre Konzerthaussaison mit Kodály, Vieuxtemps und Rachmaninoff

A Carnegie Hall Sibelius concert under Osmo Vänskä and the Minnesota Orchestra brought a big American sound to the Finnish composer's symphonies, with great virtuosity and verve from violin soloist Hilary Hahn.

Hilary Hahn ist ein Phänomen. Mit den Wiener Symphonikern unter Lahav Shani zeigte sie ihre ganze Magie im Münchner Gasteig.

With a programme spanning from Bach through Schumann, Cage, all the way to Lera Auerbach and David Lang, Hilary Hahn shows she is on top form alongside pianist Cory Smythe.

Performers in Prague traditionally get flowers as they’re taking bows, and this concert to close the Prague Spring Festival must have emptied an entire floral shop.

The Camerata Salzburg’s evening of Mozart, Enescu and Vaughan Williams at Berlin’s Konzerthaus was a crisp and bubbling performance that stimulated the intellect as well as the emotions. Beginning the evening with George Enescu’s Two Intermezzi for String Orchestra, the Camerata swept audience members away into a world gone, but too lovely to be forgotten.

Two Viennese masters, Beethoven and Erich Wolfgang Korngold, shared the stage in the Dallas Symphony Orchestra’s concerts this weekend. Maestro Jaap van Zweden conducted Beethoven’s Leonore Overture no. 3 and Symphony no. 5 in C minor, and in between these was joined by violinist Hilary Hahn for Korngold’s Violin Concerto in D major.

In 1930 a seven-year-old boy was walking along a street in the misty city of Lwów (then Poland, now Ukraine) when he heard music coming from an open window: He was transfixed: “I was in a trance. I was in heaven – the world didn’t exist for me.” So shattered was he by the experience that he fell ill with a fever.

While several of the world’s orchestras are struggling to pay their players, never mind expand, Stavanger has just built a new £100 million concert hall, its interior a triumph of acoustic engineering and its public side with airy atriums and bars looking across attractive bays. This celebratory concert to mark the Konserthus’ opening was heavily packed and warmly received.

The Orchestre Symphonique de Montréal, along with prestigious guests Stéphane Denève and Hilary Hahn, delivered a rich 20th-century program full of energy and vigor tonight. The concert included Prokofiev’s Suite from The Love for Three Oranges and his Violin Concerto no. 1, Ana Sokolovic’s Concerto for Orchestra and Debussy’s La mer.

To paraphrase Richard Strauss’ advice to young conductors: “If you think the brass are playing too soft, ask them to play softer.” Manfred Honeck, music director of the Pittsburgh Symphony, clearly thinks that the brass can never play loudly enough.

Arnold Schoenberg rarely forms the backbone of orchestral concerts in either of his two homelands, and in an ideal world there would be more concerts like this, particularly in Vienna.

If the Cadogan Hall’s “Celebrity Recital Series” conjures up unwelcome memories of Jordan’s brief career as a singer, never fear: the Hall has attracted a very different type of famous figure. Hilary Hahn is as unlike Katie Price as could be imagined: small, dark and unassuming, you could pass her in the street without a second glance.