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Stuart Stratford conducts the world premiere of Fujikura’s opera about Hokusai’s image at Scottish Opera, with Satoshi Miyagi directing with his Japanese creative team.

Guth’s Semele turns myth into a contemporary domestic drama, where desire becomes obsession and illusion consumes reality. Handel’s music remains the true engine, driven by a thrilling, physically intense ensemble.

Wolfe's climate-change oratorio, performed by the BBC Symphony Orchestra, already feels out of date.

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

A highly unbalanced premiere, its opportunity to become one of the Liceu's historic productions prevented by the contrast between dramaturgy and music.

Cavalli’s Messa concertata and Venetian polychoral masterpieces shine in Berlin’s Philharmonie, with a heartfelt, immersive New Year’s experience of ritual grandeur and warmth.

Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

Giacomo Sagripanti conducts a luxuriant reading with a cast anchored by Juan Diego Flórez and Nicole Car, in Zeffirelli’s familiar, generous, unabashedly emotional production. 

The Netherlands National Radio Choir and National Children's Choir amplify the emotional intensity of Berlioz's L’ Enfance du Christ at TivoliVredenburg. 

Shostakovich's brutal tale of sex, murder and madness storms La Scala's opening night, with Riccardo Chailly leading his final season premiere as Music Director.