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Wexford gives Mascagni’s neglected Iris a compelling new lease of life, with sensitive direction, outstanding singing and a hauntingly beautiful, redemptive conclusion.

The COC’s revival of Cosi fan tutte is still a visual feast and a few deft updates and some terrific singing make it well worth seeing, even for the third time!

Jakop Ahlbom’s updated vision of Shostakovich’s neglected operetta Moscow, Cheryomushki for Dutch National Opera in collaboration with ISH Dance collection is a riot of fun

Drama, precision and high-definition contrast in a thrilling Resurrection Symphony at the Philharmonie.

The American baritone delivers a career-defining performance of the title role in Louisa Proske’s post-apocalyptic setting of Verdi’s first Shakespearean opera, which opens the company’s new season.

Reaching a milestone 100th performance, Liliana Cavani’s grand staging of La traviata returns in fine form, featuring a luminous Nadine Sierra as Violetta.

The COC’s revival of Verdi’s La traviata features fine singing, especially from Kathryn Lewek’s Violetta, but has perhaps lost a little of the edge of previous runs.

The new Music Director’s opening subscription concert offers an emotionally cathartic tribute to 9/11, a riotous world premiere and brilliantly performed Prokofiev.