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An exquisitely matched pair of sopranos as Susanna and the Countess make up for some quirky casting elsewhere. 

There's little to like in Andrea Moses' production, but a fine cast and glorious playing and conducting make for an enthralling performance of Wagner's grand comedy.  

Michael Volle and Klaus Florian Vogt demonstrate that they are indeed master singers in Munich, despite adversity, in a revival of David Bösch's contemporary production.

In a varied programme at Lucerne’s 2018 Easter Festival, Mariss Jansons conducted the BRSO and Choir in works by Stravinsky, Hummel and Beethoven.

Hartmann's staging takes a bizarre twist in the end since so far the staging had followed the naïve story very faithfully without any weird implications.

In a new production of Franz Lehár’s The Land of Smiles, the stoic Sou-Chong sets the melancholy tone of the operetta by singing “Smile despite your sorrows and a thousand.. aches and pains”.

Not much to set the heart racing in two works of German Romanticism performed by the London Symphony Orchestra and Chorus, conducted by Fabio Luisi.

Men unfaithful out of habit? Sheer madness to trust a woman? These were the great themes of what has proven to be Mozart’s most popular opera.

German soprano Julia Kleiter is among singers of unparalleled talents who are participating in this years “jubilee cycle” of Schubert songs at the renowned Schubertiade.

In Mozart’s marvellous Così fan tutte, what begins as a harmless wager around what women left alone will do suddenly balloons into a major calamity. 

Staatsoper Berlin opens its season with a strong new production of Die Meistersinger von Nürnberg that pays homage to the past and at the same time points to the future.

Bach is music for the soul, and when excellent musicians are performing it, it cannot fail to be beautiful. Thanks to the considerable strengths of the many involved, there is really no better way to spend a weekend in Lent than lamenting through a Bach Passion in the Konzerthaus. 

Peter Stein stages Schubert's problem opera Fierrabras in a world of cardboard knights. This last opera of the Salzburg Festival is well sung, but you have to ask: is the last always the best?

The new Zauberflöte at this summer’s Salzburg Festival is a visually brilliant production with sets tailored to the atmospheric venue of the Felsenreitschule (for people not familiar with Salzburg, this is where the singing contest was held in the film The Sound of Music).

“It’s magic!” Whether through Disney cartoons, renowned illusionists, or smartphones, visual magic continues to delight contemporary audiences. Three hundred years ago in 18th-century London, audiences were stunned by Handel’s all-new operatic extravaganza Rinaldo, which not only featured a top-notch cast, but also the latest and greatest special effects.

Ebenso hinreißend wie verzaubernd führten Christian Gerhaher und Julia Kleiter durch Robert Schumanns Liedersammlungen.

In der letzten Regiearbeit seiner 13-jährigen Intendanz am Opernhaus Zürich inszeniert Andreas Homoki das Oratorium Elias von Felix Mendelssohn. Die Tücken dieses Unterfangens löst er meistens bravourös.

Mit einer festspielwürdigen Besetzung führt Christian Thielemann die Sächsische Staatskapelle Dresden zur der Wiederaufnahme der Meistersinger von Nürnberg an.

Konzert mit besonderen Vorzeichen: Klangschönheit mit dem Gewandhausorchester unter Andris Nelsons. 

„Du verstehst schon, dass erst die Instrumente in ihrer Art loben, und dann der Chor und die einzelnen Stimmen.“ Danach – im besten Fall, wie jetzt – der Kritiker, als der ich die Umsetzung Pygmalions loben darf.

Die Ausnahmesänger erzählen Hugo Wolfs Spanisches Liederbuch in einem wundervollen Spannungsbogen.

Die Bayerische Staatsoper verzaubert das Publikum mit einer herzhaften Operetteninszenierung.

Das Konzerthausorchester Berlin und das Collegium Vocale Gent bieten mit Dvořáks Requiem ein Chorsfest erster Güte.

Die Festspiele starten mit Cosi fan tutte den diesjährigen Mozartmarathon und zeigen, dass man in Salzburg eben weiß, wie man Mozart spielt.

Entre l'imaginaire de Pedro Calderon, celui de Lewis Caroll ou encore de Jonathan Swift, cette nouvelle production signée Stefan Herheim invite à la réflexion sur la frontière entre folie et sommeil, illusion et réalité, amour et raison.

Un moment féerique comme le vie en offre peu !