Live, Video: Find classical music concert, opera, ballet and dance reviews | Symphony no. 3 in D major, D.200

At the Berlin Philharmonie, Franz Welser-Möst guides the audience through two centuries of Viennese music, including the German premiere of Bernd Deutsch's Intensity.

Schubert's Third Symphony is treated like a masterpiece by the Scottish Chamber Orchestra under director Isabelle van Keulen. 

Herbert Blomstedt conducts Schubert and Berwald... and picks up a medal on his return to the Leipzig Gewandhaus.

All vestiges of age-related considerations evaporate as Herbert Blomstedt conducts Schubert and Beethoven in Berlin's Philharmonie.

In a rather mixed and unconventional programme, Roderick Williams and Amarins Wierdsman provide the highlights of a programme of variable success in Liverpool’s Philharmonic Hall.

The Orchestra of the Teatro alla Scala prove perfectly suited to bringing out the Rossinian influences in Schubert. 

Online concert organisers need to stage their events more successfully than what was on offer here from Bournemouth. Schubert, Lyadov and Shostakovich all wrote memorable pieces. Nothing much memorable about these performances though.

As part of its Schubert Festival, the Orchestre Symphonique de Montréal wowed the audience with a concert that featured excerpts from Rossini operas as well as two Schubert symphonies.

Franz Welser-Möst selected a Schubert symphony and the first act of Prokofiev’s Romeo and Juliet to open the Cleveland Orchestra season.

The vocal items in this programme were the most successful, driven as they were by Bauer's searing interpretations.

An intelligently planned and generous programme featuring the London Philharmonic Orchestra, Andrés Orozco-Estrada and Peter Donohoe in two neo-classical works by Stravinsky paired with two German Romantic works.

Delivering winsome interpretations along with precision ensemble, the "conductorless" SPCO presents two youthful Schubert and Britten masterpieces that were created by their composers in mere days.

Relaxed, classy music-making on an intimate scale makes the best case possible for Schubert's first three symphonies at the Pierre Boulez Saal

CSO and Riccardo Muti première a newly commissioned piece by cellist Giovanni Sollima that features himself and Yo Yo Ma, with Schubert's Third and Fourth Symphonies also included.

What do Schubert’s Third Symphony and Mahler’s Das Lied von der Erde have in common? Not a whole lot, which is why it came across as rather puzzling that the two pieces should be programmed together. Yet, in the Oslo Philharmonic’s September 6 and 8 concerts, they were. The result was a mixed bag of two wildly different works, written almost a century apart.Schubert’s Symphony no.

Association constituée par des musiciens de l'Opéra national de Paris pour former une phalange indépendante, le nouvel orchestre Philopéra a réussi ses débuts sous les ors du Palais Garnier dans Schubert et Mahler.

Trio de Ravel et Concerto de Schumann avec Lucas Debargue, double récital de Beatrice Berrut et Florian Noack, Concerto n° 2 de Brahms avec Jonathan Fournel : retour sur un festival à la programmation riche et variée.

Le festival Piano Pic fêtait, en 2022, sa vingt-cinquième édition. Le jeune pianiste Jonathan Fournel était placé au cœur du concert de clôture.

Im Alter immer leichter und unpathetischer: Blomstedts Bruckner fast federnd und niemals monolithisch im Konzert der Bamberger Symphoniker.

À Bozar, le Belgian National Orchestra et le chef Antony Hermus impressionnent autant dans le classicisme de Schubert que dans l'irréductible étrangeté de Sibelius.

Couple indissociable, Zubin Mehta et l'Orchestre Philharmonique d'Israël ont offert un concert de haute volée à la Philharmonie de Paris. Au programme : Schubert, Ravel et Beethoven. 

La Fundación Scherzo abrió su nueva temporada con Dudamel en la dirección de un concierto en el que se impusieron dos certezas: la riqueza que atesoran los pentagramas de Schubert y Mahler y el excelente estado de forma de la Mahler Chamber Orchestra. 

La nouvelle saison apporte son contingent habituel de symphonies de Gustav Mahler. Premier en lice, Gustavo Dudamel : le public parisien découvrait hier à la Philharmonie une interprétation fourmillante de la Symphonie n° 4.

Eminent choix de programmation que d’adjoindre à l’attendu Stabat Mater de Rossini l’amène Symphonie n°3 de Schubert et, surtout, l’inédit Chant Funèbre de Stravinsky, retrouvé en 2014 à Saint Pétersbourg et ici en création.