Live, Video: Find classical music concert, opera, ballet and dance reviews | Germany

Jean Rondeau’s anniversary tribute to Louis Couperin reveals a refined but inward-looking aesthetic – beautifully controlled, yet ultimately lacking the rhetorical energy, physicality, and communicative spark essential to this music.

Último helecho, by Nina Laisné, François Chaignaud and Nadia Larcher, is a profound reflection involving the identity of a population and the repercussions of the various influences that have been layered over time.

A last-minute programme change doubles Batiashvili’s Tchaikovsky at the Elbphilharmonie, but repetition is transformed into fresh revelation. 

Amid snowbound Hamburg, Joshua Bell leads the Academy of St Martin in the Fields with warmth and lyricism, though Brahms’ concerto reveals limits, while Schumann’s symphony fully blossoms.

Cavalli’s Messa concertata and Venetian polychoral masterpieces shine in Berlin’s Philharmonie, with a heartfelt, immersive New Year’s experience of ritual grandeur and warmth.

Ensemble Masques brings French Baroque to life at the Elbphilharmonie, with Olivier Fortin’s radiant harpsichord, spirited strings and vivid interplay revealing the expressive richness of Couperin, Rameau, Forqueray and Corrette.

Vox Luminis bring radiant Advent performances to northern Germany, filling Hamburg’s winter evening with joy, clarity and winter-firewood charm.

The – much belated – world premiere of Blitzstein's 1929 one-act opera is paired with Bernstein's Second Symphony, performed by the Norrköping Symphony Orchestra. 

Ton Koopman’s Elbphilharmonie debut brings warmth, wit and stylistic brilliance to Bach’s festive cantatas, in a radiant Early Music season finale that balances ceremonial splendour with vivid, human-scale musicianship.