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Director Johannes Erath and conductor Alexander Soddy bring György Kurtág's first and only opera to the Staatsoper Unter den Linden, starting the year with a dash of Beckett.

With Claus Guth directing and Simone Young on the podium, the Staatsoper Unter den Linden's new production of Mussorgsky's Khovanshchina proves that the past isn't really past. 

Komische Oper Berlin presents Leoš Janáček's masterpiece as a tight-knit psychodrama in a new production conducted by Giedrė Šlekytė.

A superb musical foundation under Antonio Pappano forms the basis for a satisfying new Fanciulla del West at the Staatoper in Berlin. 

Part of a new Da-Ponte trilogy, Le nozze di Figaro premieres online at the Staatsoper Unter den Linden Berlin

Zubin Mehta leads a great cast in a revival of a successful production of Verdi's Falstaff at the Staatsoper in Berlin

Daniel Barenboim conducts much of Siegfried as an intimate chamber opera, resulting in an unexpected musical joy, with an excellent cast of singers headed by Michael Volle’s Wanderer.

Daniel Barenboim led a performance of deliberate tempo with a great ensemble of singers.  Guy Cassiers‘ production, while visually stunning at times, does little to enhance the performance.

The Russian director's role play production of Prokofiev's comedy falls flat at the Staatsoper.

Michael Volle makes his debut as Verdi's not-so-Fat Knight in Mario Martone's new production at the Staatsoper. 

A passionless staging of Wagner's masterpiece throws cold water on Barenboim's fiery conducting at the Staatsoper.

Achim Freyer's production robs Humperdinck's fairy tale of heart and drama at the Lindenoper.

Jürgen Flimm's take on Schumann's Faust Scenes offers no solutions to self-imposed problems at the Staatsoper unter den Linden's glitzy reopening.

Eva-Maria Westbroek proves an outstanding Káťa in the Staatsoper's revival of Janáček's opera, powerfully conducted by Simon Rattle. 

A strong, compelling staging – coherent in aesthetic and philosophy, if a little restrained in performance. 

With a light-voiced cast and gentle updating, the Staatsoper's new Manon Lescaut makes a good case for Puccini's difficult breakthrough opera.

Evelyn Herlitzius and Adrianne Pieczonka are unsinkable in the the French director's final production, conducted with impressive symphonic sweep by Daniel Barenboim. 

A strong performance at Staatsoper Berlin of the third opera of the Ring, Siegfried, was a showcase for tenor Andreas Schager in the title role.

The revival of Das Rheingold at Staatsoper Berlin was still marred by distracting use of dancers on stage, but musically it was a great success. 

Staatsoper Berlin opens its season with a strong new production of Die Meistersinger von Nürnberg that pays homage to the past and at the same time points to the future.

A Beethoven cycle last year, The Ring this year: what will Daniel Barenboim bring to the 2014 Proms? Perhaps, given the recent success of extracts both at the Proms and at Lincoln Center Festival, the smart money is on Karlheinz Stockhausen’s 29-hour, seven-opera cycle Licht. Then again, perhaps not.

It’s not often that operas in English get performed in Germany, and so I was somewhat surprised to see such a large and important company as the Berliner Staatsoper taking on Stravinsky’s The Rake’s Progress.

Zum 150. Geburtstag des einstmaligen Publikumsschrecks stellen die Berliner Philharmoniker unter Kirill Petrenko in Die Jakobsleiter existenzielle Fragen.

Der Ring an der Staatsoper Berlin geht in die dritte Runde mit einem stimmgewaltigen Siegfried aber einer schwächelnden Regie.

In die aspetische Atmosphäre einer kargen Bühnenlandschaft hat Damiano Michieletto die glühenden Leidenschaften der Personen in Leoš Janáčeks Oper Jenůfa gestellt.

L'Or du Rhin marque la réouverture du Grand Théâtre de Genève rénovée. Un bonheur d'équilibre, entre la saisissante mise en scène de Dieter Dorn et une distribution vocale des plus convaincantes.

Ricarda Merbeth gibt eine markerschütternde Elektra in Patrice Chéreaus psychologischer Inszenierung.

Epaulée par un orchestre en pleine forme, portée par un plateau étonnant par la qualité de son jeu d'acteur, cette production touche par sa sincérité.

Stéphane Lissner, en souhaitant honorer la musique chère à Boulez a eu raison de vouloir rappeler que le mésestimé Wozzeck demeure une œuvre musicale majeure de ce début de XXème siècle, ainsi qu’un mythe littéraire et politique vibrant d’actualité.

Warum Rimsky-Korsakows Oper nicht längst zum Kernrepertoire gehört, fragt man sich bei dieser glanzvolle Wiederaufnahme.

Simone Young machte diese Faust-Vorstellung zu einem musikalisch ergreifenden Erlebnis.