Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Klavierkonzert Nr. 1 in C-Dur, Op.15

Bei seinem Gastauftritt mit dem Tonhalle-Orchester Zürich spielt Sir András Schiff auf einem Steinway-Flügel, der einst dem berühmten Dirigenten Georg Solti gehörte. Bach und Beethoven klingen darauf wie neu gehört.

Ob hypnotisch-süffisant oder robust-komisch – Schiff zauberte mit tiefenentspanntem, trockenem Humor Wesentliches und Faszinierendes am Fortepiano und Dirigentenpult hervor.

Die Niederländische Komponistin Mayke Nas erfindet neue Klänge, um unsere heutige Zeit mit musikalischen Mitteln zu beschreiben.

Befreit von „dicker Kartoffelsuppe“ legen Gardiner und das LSO einen frischen Schumann vor, der mit den richtigen Stilmitteln lebensnah und mitreißend wird.

Mit einem Programm aus Bekanntem und seltener Gehörten zeigten die Münchner Symphoniker die vielseitigen Facetten in Beethovens Musik.

Das BRSO eröffnet unter der Leitung von Chefdirigent Janons und mit Pianist Rudolf Buchbinder seine neue, vielversprechende Saison.

Gemeinsam mit Daniel Barenboim und der Staatskapelle machte Martha Argerich sich selbst und dem Publikum das schönste Geschenk: Mozart, Beethoven und Scarlatti in höchster Vollendung.

Murray Perahia erschuf vor dem geistigen Auge des Münchener Publikums zwei großartige und doch ganz unterschiedliche Klanggebäude Beethoven'scher Klavierkonzerte.

Con Martha Argerich como figura de excepción, la Orchestra della Svizzera italiana ofreció un programa que sacó lo mejor del conjunto.

Stylish Beethoven from Benjamin Grosvenor and dramatic Ustvolskaya from Yuriy Yurchuk, but Petrenko and the RPO’s blistering Shostakovich steals the show.

A traditional overture–concerto–symphony programme at Klosters Music proves anything but stale in dramatic performances by the Munich Chamber Orchestra. 

Si l'Orchestre National du Capitole de Toulouse a étalé sa somptueux pâte sonore, c'est bien la pianiste argentine qui a une nouvelle fois impressionné dans le Concerto pour piano n° 1 de Beethoven.

Javier Perianes toma las riendas y, desde su papel solista en el teclado, dirige dos conciertos de Beethoven con gran éxito.

Ryan Bancroft and the BBC National Orchestra of Wales give an extraordinary, terrifying account of Shostakovich’s Thirteenth Symphony, preceded by a Classical-Romantic tussle in Beethoven’s First Piano Concerto. 

Echt-Viennese Beethoven interpreter Rudolf Buchbinder enthrals the Singapore audience.

Argerich shows her full artistry, while Europe's young musicians show impressive coordination and dynamics, if short of emotion in Beethoven 7.

Lahav Shani gives the players of the Rotterdam Philharmonic Orchestra their moment to shine in Strauss' demanding Ein Heldenleben. 

Dausgaard is in his natural habitat when conducting music by his compatriot and his account of the Sinfonia espansiva proves the highlight of this Prom. 

A tour de force for all concerned with the Boston Symphony Orchestra responding to Paul Lewis’ dynamic finesse with a palette of its own. 

The crossed warning searchlights were out and aircraft mostly stayed away, as Gemma New and the Los Angeles Philharmonic got to know each better in Beethoven and Schumann.

The evolving relationship between Petrenko and the Royal Philharmonic Orchestra is one to be followed.

Obras corales de Brahms y el primer concierto de piano de Beethoven con Daniil Trifonov como protagonista, fue el programa que la Orquesta y Coro Nacionales ofrecieron bajo la dirección de David Afkham. 

Purity and clarity are hallmarks of Zimerman’s playing and there was an almost aristocratic composure to his phrasing in these splendid performances. 

Sous la direction sûre de Marin Alsop et avec la complicité de Khatia Buniatishvili, la formation parisienne a sonné la reprise des concerts classiques à la Philharmonie de Paris.

While Kalle Randalu proves an amiable soloist in the First Piano Concerto, it is Beethoven the firebrand who startles in Paavo Järvi's account of the First Symphony with the Tallinn Chamber Orchestra.

Rudolf Buchbinder's deep expertise and the Czech Philharmonic's expressive gifts add another dimension to the composer's anniversary celebration.

A sprightly program of Beethoven, anti-Beethoven and Bartók.

La Filarmónica de San Petersburgo presentó en Madrid de la mano de Ibermúsica, la mayor valedora de la orquesta rusa en España, el Concierto para piano núm. 1 de Beethoven, para el que contó con el arrojo de un propositivo Abduraimov, y la Sinfonía núm. 4 de Chaikovski.

Concerto, symphonie, œuvres pour deux pianos ou cordes seules : voici le programme éclectique offert par Martha Argerich et l'Orchestre de chambre Franz Liszt dirigé par Gábor Takács-Nagy en cet après-midi de Fête des Lumières à Lyon.

Rudolf Buchbinder and the Lucerne Festival Strings recently performed Beethoven’s First and Fifth Piano Concertos in the last of the prestigious Piano festivals at the Lucerne Culture and Congress Centre. 

The Icelandic pianist joins The Hallé and conductor Klaus Mäkelä to deliver an excellent performance of Beethoven's First Piano Concerto at the Bridgewater Hall. 

When it was announced from the stage that Gustavo Dudamel would not be conducting due to a "family emergency," the orchestra played for Conducting Fellow Stephen Mulligan as if he were a maestro.

Avec la Staatskapelle de Dresde, Rudolf Buchbinder conclut son marathon beethovenien par une lecture majestueuse du Concerto n° 1 et du célèbre « Empereur ».

Segunda velada en Madrid de la integral de los conciertos de piano de Beethoven a cargo de Javier Perianes con Juanjo Mena y la London Philharmonic.

Concluding Gardiner's Schumann cycle, it was a memorable concert, with a memorable Spring Symphony and a musical Manfred Overture. The Beethoven first piano concerto proved an unlikely hero.

A charming, thoughtful account of Beethoven's First Piano Concerto by Norwegian pianist Christian Ihle Hadland, while the NSO under the baton of Stutzmann delivered wonderful Haydn and Mendelssohn Symphonies. 

La perfección se dice de muchas maneras. Y, si de música se trata, la London Symphony Orchestra constituye una apuesta genuinamente segura -tuvimos la fortuna de comprobarlo en Madrid a comienzos de temporada-. De un modo especial, es preciso señalar, en aquellos programas que propician la colaboración de partenaires -ya sea en el podio, ya sea en los roles solistas- condignos, que correspondan sin fricción a la entidad del llamado.

How do you prepare a new production at a major opera house, then stroll across the Thames to lead a fine and distinctive Mahler Five? 

Resident soloist Jorge Federico Osorio continues his Beethoven Piano Concerto cycle with Guest Conductor Roberto Abbado and the Atlanta Symphony.

Mahler had Walter, Mitropoulos and, most importantly, Bernstein to champion him in the US. Bruckner was never as fortunate... until now. When Andris Nelsons succeeded James Levine as Music Director of the Boston Symphony, he specifically mentioned Bruckner as a composer he would program regularly, in marked contrast to his predecessor’s antipathy.

The former principal guest conductor of the Cleveland Orchestra made his first appearance in seven years to lead graceful performances of Elgar and Beethoven. 

Two promising talents tacke Beethoven: China's Ke Ma impresses in PC4, Hungary's Szüts impresses as a composer with his cadenza for PC1. Tamás Gál and the Miskolc Symphony provide strong support.

Yuja Wang et le Mahler Chamber Orchestra inaugurent leur tournée européenne à la Fondation Louis Vuitton. Un programme audacieux qui confronte l’esthétique néoclassique de Stravinsky avec le romantisme à fleur de peau de Chopin, en les plaçant dans l’héritage de Mozart et de Beethoven.

Piotr Anderszewski played and conducted Mozart and Beethoven concertos with the Chamber Orchestra of Europe plus pieces by Bartók and Janáček. An ideal partnership and fine performances.

The Northen Chamber Orchestra bring small-scale but energetic accounts of Beethoven, plus Anthony Gilbert's intriguing Another Dream Carousel to the Heritage Centre in Macclesfield.

2017 began with a bang in Zurich, thanks to a stellar pianist, Daniil Trifonov, and a peak performance by the Tonhalle Orchestra under Kent Nagano’s seasoned baton.

Young prodigy Serena Wang delights audiences in her performance of Beethoven's Piano Concerto no. 1 while the China Philharmonic's cautious approach falls flat.

The Filarmonica della Scala opened the season with a concert that celebrated its virtues and symbolised its ambitions. The presence of Daniel Barenboim, the former Music Director of La Scala, spoke of its inclusive doctrine.

During Jessie Montgomery's Records from a Vanishing City, musical styles from avant-garde jazz to Angolan lullabies quarreled and overlapped, keeping our ears pricked for the duration of the piece.

David Afkham scored a successful CSO debut in Shostakovich’s Tenth Symphony and Beethoven First Piano Concerto with Emanuel Ax.