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The American baritone delivers a career-defining performance of the title role in Louisa Proske’s post-apocalyptic setting of Verdi’s first Shakespearean opera, which opens the company’s new season.

Reaching a milestone 100th performance, Liliana Cavani’s grand staging of La traviata returns in fine form, featuring a luminous Nadine Sierra as Violetta.

The COC’s revival of Verdi’s La traviata features fine singing, especially from Kathryn Lewek’s Violetta, but has perhaps lost a little of the edge of previous runs.

Superb musicality and terrific playing underpin Marek Janowski's no-nonsense Bruckner with the Gewandhausorchester.

The new Music Director’s opening subscription concert offers an emotionally cathartic tribute to 9/11, a riotous world premiere and brilliantly performed Prokofiev.

The gritty realism of Matthew Wild’s updated production can’t quite save Tchaikovsky’s historic drama in its Frankfurt premiere. 

Conrad Harris, Steven Gosling and Alex Waterman exhibit mastery of the requisite groupthink in an exemplary performance of Morton Feldman’s Trio. 

From John Adams’ swinging mechanics and Simone Lamsma’s fiery Korngold to Alan Gilbert’s masterfully paced Brahms First, the NDR Elbphilharmonie ignite the evening with boundless energy.