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Director Tobias Kratzer engineers a haunting pasticcio of Schumann, Bartók and Zemlinsky, tracing the domestic sphere’s shift from romantic surrender to the blood-soaked secrets of a century-spanning house.

Carlos Rizzi believes that Puccini’s orchestrations are good enough to stand alone, without their vocal lines, but can the drama compete with the romance of Respighi?

Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic. 

The CBSO present the work of three European émigré composers of the 1930s and 40s, who reimagined their musical influences with contrasting approaches and results.

Marin Alsop is joined by pianist Hayato Sumino as she conducts the Philadelphians in an exhilarating program of works by John Adams, Gershwin and Prokofiev.  

Aszure Barton, Matthew Rushing, Bob Fosse and James Gregg make for an eclectic and mostly intriguing night with Chicago's Hubbard Street Dance at New York's Joyce Theatre.

The Fibonacci Quartet has been accumulating prizes and headlines like they’re going out of fashion, and this Music in the Round concert showed why.

Davide Livermore’s high-octane production transforms Handel into a lavish blockbuster. While the superstars shine, the relentless entertainment-first approach often sacrifices musical refinement and dramatic logic for Netflix-style spectacle.