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Gustavo Dudamel introduced himself to his new subscription audience with a rendition of Mahler’s Symphony No. 5 that was at once surgically precise, startlingly forceful and compellingly human.

A concert of “works in progress” at Zürcher Gallery in Manhattan’s East Village. 

Drama, precision and high-definition contrast in a thrilling Resurrection Symphony at the Philharmonie.

Is a concert ever worth more than five stars? This one – from the Hallé, Kahchun Wong and Sir Steven Hough – may well be.

Can you shrink La Mer into a piano trio? Ensemble 360 shows how it might be done, alongside a sparkling new work for trio forces by Dani Howard.

The American baritone delivers a career-defining performance of the title role in Louisa Proske’s post-apocalyptic setting of Verdi’s first Shakespearean opera, which opens the company’s new season.

Reaching a milestone 100th performance, Liliana Cavani’s grand staging of La traviata returns in fine form, featuring a luminous Nadine Sierra as Violetta.

The COC’s revival of Verdi’s La traviata features fine singing, especially from Kathryn Lewek’s Violetta, but has perhaps lost a little of the edge of previous runs.

Superb musicality and terrific playing underpin Marek Janowski's no-nonsense Bruckner with the Gewandhausorchester.