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WNO imports Edward Dick’s exceptionally fine production, which benefits from from superb casting and outstanding performances led by Natalya Romaniw. 

An exceptionally strong cast, led by Ryan Speedo Green, fails to disguise Blanchard's bland score and the opera's weak libretto.

Anthony Davis’ groundbreaking opera, with a jazz band in the middle of the orchestra and a book that focuses more on crises than victories, proves hard to see as an heroic tale.

With a stellar cast and fine orchestral playing, Mozart’s enigmatic fairy tale takes on a darker, more grown-up tone in its first new Metropolitan Opera staging in 19 years.

The program, set long before Crumb’s death in February, following an implicit logic from Debussy to Stravinsky through Charles Ives and ending in Crumb’s somber lament, Ancient Voices of Children. 

A full-on production of Britten’s The Turn of The Screw produces richness and awe, with a magnificent cast and musical excitement from the baton of Britten scholar Paul Kildea.